Learn how to edit photos quickly and efficiently by developing a custom photo editing workflow
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When faced with processing thousands of images as a digital photographer, developing your own consistent workflow is essential.
Reducing the amount of time you spend in post-processing and photo editing will make you more efficient, so you can get back behind your camera faster.
After your shoot, when you have a memory card full of images to edit, there are really two different types of photo editors you’ll want to consider.
The first is a layer-based pixel editor, like PaintShop Pro . It’s perfect for all of the heavy lifting associated with working on a single photo—whether that means removing unwanted people or objects, making major alterations and airbrushing, or compositing several images into one. In terms of workflow, a pixel editor is often the second stage of an edit, usually coming after the RAW conversion and adjustment process.
Today, most mid to high-end cameras capture images in both JPEG and RAW – the camera maker’s own proprietary file format (you can learn more about the differences between RAW and JPEG here ).These RAW files must be decoded before they can be used; so, the second editor you’ll want to consider is something specifically for RAW conversion, file management, and workflow. With a program like AfterShot Pro, you can open your camera’s RAW files, process hundreds or even thousands of photos in seconds, and then convert them to a universal format (like TIF or JPEG) that you can bring into your pixel editor.
AfterShot Pro is the industry’s fastest RAW editor, giving you a powerful one-two punch when it comes to perfecting your photos. You can get a slimmed down version, known as AfterShot, with PaintShop Pro Ultimate; or, for a limited time, collect your fully-licensed copy from the Corel Discovery Center.
Before we dive into the nuts and bolts of developing your photo editing workflow, there a few things you should always remember so you can set yourself up for success (or just skip right to the workflow).
Remember, capturing an incredible photo starts long before you click the shutter… and no amount of post-processing can turn a bad picture into a great one. Be intentional about each image you take and always keep the end product or goal in mind.
Keep these tips handy and you’ll be on your way to a professional-level workflow in no time!
OK, first things first… A photographer’s workflow is both personal and customizable. Today, we’ll go through a basic photo editing workflow designed to get your RAW photos ready for a pixel editor, where your final edits will be done.
It’s important to remember there are all kinds of ways to post-process your images. The following workflow is a suggested method to get you started down the path of developing your own process that work best for you. It’s a very subjective process and will take time to really master.
The main thing to keep in mind when editing is: Always make global changes (the ones that affect your entire image) first, then work your way down to local adjustments (the ones targeted at a specific area or region). Be sure to keep lots of notes as you develop your own workflow, so you can come back and repeat the process or refine it for your next editing session.
Using a quality photo editing software like PaintShop Pro in partnership with a RAW photo editor like AfterShot Pro, you will create a powerful photo workflow that can be optimized over time, so you spend less time in front of the computer and more time behind your camera.
Ready…? Let’s jump right in!
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As amazing as cameras are today, there are still a few areas where they struggle. Take the color white for instance.
The human eye is incredible when it comes to determining colors under a variety of light temperatures. Digital cameras, however, have difficulties adjusting to the variety of light sources, resulting in unattractive and inaccurate color hues. The ability to change white balance is one of the key reasons we suggest you shoot in RAW.
Even after slaving away to make sure you get an accurate exposure when you capture an image, often, your image may need a little extra love from the exposure compensation tool.
When capturing images while using a higher ISO setting, you may end up with image noise that you want to remove. There are two types of image noise that you’ll be dealing with: Color noise and Luminance noise. The process to correct either noise type is similar. Your photo editing software should have a “Noise Reduction Tool” that consists of three sliders for each noise type.
As you’re working your image, attempt to achieve noise reduction as opposed to noise removal. Using a graphic editing tool to remove noise will also cause a degradation of image quality. Try only to make local adjustments and make as few as possible.
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Sharpening refines the clarity of an image by exaggerating the difference in brightness of the edges within your image. Remember, using an unsharpen tool does not reconstruct the image, it only creates the appearance of sharper edges.
Many image-editing software allows you to adjust three settings and a good workflow is to modify them, again, starting with global changes and migrating to more local adjustments. in the following order:
Start with global sharpening (radius and amount) and then move to local edits by adjusting threshold masking. Remember, do not over-edit or you will create sharpening noise which can distract the eye instead of enhancing the clarity of your image.
If your image was taken facing the sun or other bright light sources, you might need to correct low contrast. Use the Brightness/Contrast adjustment tool to tweak the tonal range of your image.
Where do downloads go on mac. High contrast can give your colors a more saturated appearance. However, overdoing the contrast may cause your image to look unrealistic.
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There are times that the camera captures information that you don't want. This can be from lens imperfections, dust on the camera sensor, or any other little 'extra' elements that your camera is capturing.
If you do need to correct lens distortion, your editing software should include sliders to alter distortion on both vertical and horizontal planes. As you make adjustments, be sure to use a grid overlay to make sure you end up with straight lines.
As a general rule of thumb, unless it's distracting, don't try to fix it. And sometimes, it can lend to the artistic nature. Distortion is typically acceptable in landscape and candid photos but should be avoided in architecture photos or images with lots of hard edges and lines.
To correct, you can either crop your image to eliminate it or use the Lens Vignetting tool. However, many modern photographers add vignetting intentionally to highlight the center of an image and draw the viewer's eye. You may want to consider leaving it.
Framing your shot is always best done from behind the camera. However, sometimes your image needs a little tweaking and adjustment to perfect your composition. Much of this step is left up to creative license but here are a few guidelines to follow.
Now that you are done editing, it’s time to export your image for the next step or, if you’re done, for print and/or sharing.
An efficient editing workflow ensures consistency and thoroughness in your post processing. Every photographer thinks through editing differently, so this particular workflow may not be ideal for you. Feel free to pick it apart and select elements that work for you.
Happy Editing!
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